Sometimes when I like what I see on screen, I make a beeline for the source material on which it was based. This was the case for Suna no Utsuwa, the 2011 tanpatsu starring Tamaki Hiroshi and Kobayashi Kaoru. The novel of the same name by Matsumoto Seicho has had a few adaptations, including a 2004 J-drama with Watanabe Ken and Nakai Masahiro, and a 1974 film by Nomura Yoshitaro, a testament to the enduring popularity of this story and the crime genre in general.
Given the difference in formats, I suppose it is mission impossible for screen adaptations not to add stuff that was not in the print source material. Still, I can generally accept it better if the adaptation more or less stays faithful to the essence of the source, even if certain changes have been made to improve story flow or tighten plot and characterisation. However, where the adaptation makes up a character or changes the perspective from which the story was originally told, it kind of annoys me. Yes, I’m Chiaki-like that way. Continue reading