Tortured musician? Check. Hot male lead? Check. That was my mindset when searching for lighter fare to watch after BORDER and deciding to give Kanojo wa uso wo aishisugiteru a try. I am not generally a fan of shoujo manga or stories with high-school characters, but it surely couldn’t hurt to spend a couple of hours with two winsome leads.
Ogasawara Aki (Sato Takeru) is a genius musician who composes songs for the popular band Crude Play. Aki is moody and depressed despite his success, and desires an escape from the music that has dominated his life. One day, he meets high school student Koeda Riko (Ohara Sakurako) and starts a relationship with her on a whim, lying about his identity. When Riko is scouted by Takagi Soichiro (Sorimachi Takashi), the same producer who propelled Crude Play to success, Aki’s lies start to unravel… Continue reading
Where do people go when they die?
Ishikawa Ango (Oguri Shun) is an intelligent, ambitious detective with keen powers of observation. One day, a former police officer is killed and when Ishikawa goes to the scene of the crime, he unwittingly runs into the killer and is shot in the head. He survives with the bullet lodged in his brain, but realises that as a result, he can now communicate with dead people… Continue reading
At least this seems to be the case for Tamaki Hiroshi, whose latest roles all seem to be rather nasty. That’s actually not a bad thing, since he can’t be playing goody-two-shoes characters forever, and antagonist roles do help stretch one’s acting range, so kudos to him for being willing to experiment and not caring too much about building up a nice but bland onscreen image.
First up was his role as a ladies’ man called Yashiro Ginshiro in the spring drama SP Onna no Kunshou, opposite Matsushima Nanako, who played the heroine Oba Shikiko. Ginshiro initially helped Shikiko build up her dressmaking business but later made use of her, hurting her badly. Tamaki got to speak in Kansai-ben again for this SP as the drama was set in Kansai, and he wore glasses – presumably to complete the manipulative cad look, haha. I didn’t see any subs for this (sadly), but did skim the SP and it seemed interesting. At the very least, it featured some beautiful clothes since it was about the fashion industry in post-war Japan.
Next is the film adaptation of Aku to Kamen no Rūru (The rules of evil and the mask; published English title being Evil and the Mask), which is a novel by award-winning writer Nakamura Fuminori. Tamaki plays Kuki Fumihiro, who was raised by his father to create as much destruction and unhappiness as he possibly can. However, in order to protect the woman he loves, Fumihiro begins to question his father’s mandate and starts to resist. This sounds like a complex, layered character and Tamaki said as much, commenting that the character is a delicate person and it is very difficult to play him. It sounds like a challenging role and that’s great for Tamaki because he deserves to be doing roles that will test his range. I bought the source novel as soon as I could and can’t wait to start on it, looks like it’ll be a riveting read. The film is scheduled to be shown next year.
And for the biggie: Tamaki takes to the stage in October and November for the play Kiken no Kankei (Dangerous Liaisons). This is Tamaki’s second stage appearance – his first was in Hotel Majestic in March 2013 – and the play by Christopher Hampton is based on the famous French epistolary novel Les Liaisons dangereuses. The poster for the play has Tamaki and co-star Suzuki Kyoka in modern wear, so this is presumably a modern take on the 1782 novel (although I could be wrong). No prizes for guessing which role Tamaki will play – he is such an apt choice for the Vicomte de Valmont. Really happy for Tamaki that he’s tackling the stage again as it’s a great way to hone his acting skills, and getting to star with Suzuki is wonderful as she is a solid actress in her own right. The play’s run will be in Tokyo from Oct 8 to 31st, and Nov 9-14 in Osaka.